Scattered Melodies: Korean Kayagum Sanjo

by Various Artists

supported by
John Cratchley
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John Cratchley I've been accessing the website called 'Excavated Shellac' recently looking for the over-looked,the obscure,that which gives a different perspective on the nature of humanity expressed through music and then I discovered Sublime Frequencies and it all kind of fell into place...the Korean Kayagum is related to the Japanese Koto,so you know there is going to be plucked string magnificence...These recordings are wonderful and beautiful to my Western Ears and are totally evocative of another world of sound rarely accessed. Listening to these old recordings cleanses my aural palette and realigns my preconceptions.The perfect antidote for jaded post-modernist value structures.

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Sublime Frequencies releases its first 78 rpm compilation, and true to form, these are sounds rarely heard by contemporary western ears. This album has been compiled by Robert Millis, a long-time Sublime Frequencies contributor and a founding member of Climax Golden Twins. He is the author of Victrola Favorites: Artifacts from Bygone Days, a book of historic early recording documentation, ephemera and music drawn from Millis' 78rpm collection. In 2011, he produced and helped design I Listen to the Wind That Obliterates My Traces, a similar book drawn from the collection of artist Steve Roden. In addition to composition, sound art practice, and design, he has filmed and produced experimental documentaries on Asian music: Phi Ta Khon: Ghosts of Isan and This World Is Unreal Like a Snake in a Rope (both for Sublime Frequencies DVD release) and is an obsessive collector of 78rpm music records and ephemera. Scattered Melodies: Korean Kayagum Sanjo is a compilation of Korean kayagum sanjo music. Sanjo, meaning "scattered melodies," is a form of stylized string improvisation developed in the 1890s originally for the Korean kayagum, a smaller distant cousin of the Japanese koto. Stark and haunting, falling in the gaps between folk and classical music, kayagum sanjo employs a gradually increasing tempo, focused improvisation (the "scattering of melodies"), elastic rhythms, and intense snaps and vibrato that seem to power through the hazy abstractions of the 78rpm recording technology (these are old, exceedingly rare records that have survived nearly insurmountable odds: invasion, occupation, war, division). Presented here are a few of the masters of sanjo as it originally emerged in the early part of the 20th century on 78rpm recordings from 1925 to the early 1950s. Digital booklet includes extended liner notes by compiler Robert Millis.


released November 17, 2014



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